It has been quite some time since the public caught a glimpse of Daniel Day-Lewis. Following his announcement in 2017 declaring he would cease to work as an actor, just before the debut of Phantom Thread, Day-Lewis quietly faded from view. Yet, in his absence, his legend has only grown.
The Legend of His Acting Method
Primarily, this reputation revolves around his preferred style of working. As someone known for immerses himself in his characters – for instance, while filming Lincoln, reportedly asked Steven Spielberg address him as “Mr President” for the entire production – audiences has become more fascinated with his process. Did he actually sent messages to co-star Sally Field in character as Lincoln? Was it accurate that he only eat animals he’d killed for The Last of the Mohicans? And did he demand receiving food via spoon while filming My Left Foot?
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Now, Day-Lewis has returned in the limelight, somewhat reluctantly, promoting his latest movie Anemone. He is taking this chance to express his anger at how the Method technique is perceived. “I am somewhat annoyed these days when I hear all kinds of people talking carelessly and using phrases like ‘gone full method’, which seems suggests that someone is acting insane in an extreme fashion,” he told the New York Times. “Everyone often concentrate on superficial details of the work, and those details typically include some form of self-punishment or a situation that imposes upon oneself extreme unease or psychological strain. However, in the career of an actor, it has to principally be about the internal work.”
An Industry of Imitators
To be honest, it appears as if Day-Lewis has emerged from his retreat and found himself shocked by the acting community that has developed mirroring his methods. If you’re widely considered among the best actors in history, and your process includes headbutting a dummy to the point of injury (in Gangs of New York) or enduring 48 hours in isolation without food or water (for In the Name of the Father), then it stands to reason that other actors will attempt to emulate that example by imitating your hero.
Essentially, we exist in an environment populated by imperfect Day-Lewis impersonators who want nothing more than to show the world the extensive degree of dedication they put into a character. On the milder side of this trend we have people like Lady Gaga, who was so desperate to win an Oscar for House of Gucci that she spent the entire promotion trying to convince everyone that she transformed into an Italian native for a year and a half as preparation.
Then we have Jared Leto, who decided to immerse himself into the role as the Joker (in Suicide Squad) through sending “disturbing” gifts to his castmates. These, depending on who you ask, range from deceased animals to intimate objects and used condoms, though the actor refuted the most extreme claims. And then, of course, we have Jim Carrey, who went so deep into Andy Kaufman during Man on the Moon that filmmakers succeeded to get a full-length documentary out of B-roll of him causing difficulties as impossible as he could for his colleagues.
Contemporary Method Practitioners
The main practitioner of the Method currently would appear to be Jeremy Strong (formerly an assistant to Day-Lewis), whose approach during Succession was so rigorously detailed that it became the basis of a critical magazine feature, full of quotes from individuals who were worried about his conduct (“It’s the cost to himself concerns me,” remarked co-star Brian Cox) or annoyed beyond all measure by his actions (“I remember him causing everyone else to react with exasperation,” said an anonymous cast member).
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There are so many other examples. Andrew Garfield abstained from sex for six months while preparing for Silence. Leonardo DiCaprio slept in an animal carcass during The Revenant. It’s quite possible that actor Austin Butler still speaks like Elvis Presley, years following the movie’s release. All of this, in part, aims to evoke the dedication with which Day-Lewis takes his craft.
An Admirable Yet Challenging Battle
Moreover, although his rebuttal against method detractors could be commendable, a brief promotional cycle may prove insufficient to change anyone’s mind, let alone their practices. Maybe if he wants to remind people the true essence of the Method, or to show them its potential results, then Day-Lewis’s best bet is to just begin producing more films. Certainly everyone would get behind that.